General bibliography

 General Bibliography

Barthes, Roland The Responsibility of Forms, Essays on Music, Art and Representation, The University of California Press

Eco umberto, la estructura ausente, lumen

Eugenio quetzil Castañeda, https://www.academia.edu/81422165/The_Invisible_Theatre_of_Ethnography_Performative_Principles_of_Fieldwork

Hernandez San Juan Abdel, 1996- The posmodern work: Beyond the Intertextual. By Abdel Hernandez San Juan, Conference Lectured at the Fondren Library Lectures Auditorium as a guest of the faculty of classical and Hispanic studies in his area of research of semiotic, theory of art, anthropology, curator at the alejandro otero museum of visual art, coordinated by Surpik Angelini and Hector Urrutibeity, translated by Graciela daichman, 45 minutos version of a paper The posmodern work. By Abdel Hernandez San Juan, translated by Gabriel, translations coordinated by surpik angelini and transart Foundation, Rice University, Houston, Texas, USA

Hernandez San Juan Abdel, 1998- Cultural Bodies. By Abdel Hernandez San Juan, published catalogue, english, translated by Cristina jadick, Sicardi sanders Gallery, Houston, Texas, USA, also published at https://www.mariacristinajadick.com

Hernández San Juan abdel, 1999- Art Pizte Exhibit: A Perspective from art critique. By Abdel Hernandez San Juan, conference lectured in person at the Faculty of sociology and anthropology lectures auditorium on the museographizing of the exhibit of Quetzil Eugenio anthropology, five Maya artists and Quetzil collection of Maya art, a curatorial museography by quetzil Eugenio at Duran Gallery, with the participation in conceptualizing  and spatializing the mise in scene museography by Abdel hernandez San Juan and Lisa Breglia, a travel from Houston to lake forest  discussed as part in a panel Maya art and anthropology (anounced conferences by Abdel Hernandez San Juan, Alaka Wally, Stephen Eisenman, Richard Towsend, Quetzil Eugenio and Lisa Breglia, Lake Forest College Faculty of Sociology and Anthropology, included a workshop, tape recorded and film recorded Lake Forest college, coordinated by Quetzil Eugenio castañeda, 1999 Organizer and Chair. Forum on Maya Art and Anthropology. Panelists: Alaka Alí, (Anthropologist, Field Museum of Natural History),  Abdel Hernández (Artistic Director, Transart Foundation), and Maya Artists: José Kituc, Gilberto Yam Tun, Jorge Pool Cauich, Wilberth Serrano, Juan Gutiérrez. Durand Art Institute, Dec. 2, tape recorded, translated by quetzil Eugenio castañeda, assistance profesor of anthropology, faculty of sociólogy and anthropology, with college and high school students, Lake Forest, Illinois, usa, 1999

1999- Bodies Maps. By Abdel Hernandez San Juan, essay of the catalogues published catalogue, english, translated by Lourdes, Sicardi sanders Gallery, Houston, Texas, USA

2000- Alchemies of the Senses. By Abdel Hernandez San Juan, essay of the catalogue, english, translated by Lourdes, Sicardi sanders Gallery, Houston, Texas, USA

2002- The paintings of terrell James. By Abdel Hernandez San Juan, essay, translated by surpik Angelini, Houston, Texas

2002- Relations and Differences between the Arts: A Matter of the History of Conscience. By Abdel Hernandez San Juan, lecture discussed at the panel of Los Angeles Art Festival, The Japanize House of Culture, lectures by Abdel Hernandez San Juan, surpik angelini, villegas, and others, spanish, Dic, Los Angeles, California, USA

1998- The Museum and the People. By Abdel Hernandez San Juan, Series of Lectures discussed as complimentary research associate at rice university school of social sciences as a guest of The Jacobo Borges Art Museum on the issue of the museum and art Projects with Communities included Lectures Discussed by Abdel Hernandez San Juan and by George Marcus, and a dialogue between Abdel Hernandez San Juan, Jacobo Borges and Fernando calzadilla, spanish, tape recorded, coordinated by Adriana Meneses and Jacobo Borges, Caracas, Venezuela

1994-1995- Contemporary Venezuelan Art. By Abdel Hernandez San Juan, series of lectures discussed as curator at Mavao, Alejandro Otero Museum of Visual Art, included a printed design program, Spanish, Caracas, 1994

1994- To Valuate Venezuelan Art. By Abdel Hernandez San Juan, published as juror of the National Venezuelan Drawings Biennale at the Biennale catalogue in Spanish black 50 pages and white high quality illustrated with writings by Abdel Hernandez San Juan, Ariel Jiménez and Eliseo sierra, Fundarte and Alejandro Otero Museum of Visual Art, Spanish, Individual Attention: Vazco Zinetar, Caracas, Venezuela

1995- An Erotic of the Tired. By Abdel Hernandez San Juan, published at the 15 pages high quality colour illustrated catalogue of Sello Serial exhibit of Jason Galarraga, writings of Abdel Hernandez San Juan and Rafael Arraiz Lucas, Individual Attention: Jason Galarraga and Elaiza Irrizarry, spanish, Centro Romulo Gallegos, Caracas, Venezuela

1994- Venezuelan Art in Computer. By Abdel Hernandez San Juan, published in Spanish and English at the 100 pages high quality colour illustrated catalogue of the exhibit Water, Viasa, Individual Attention: Maria Clara Fernandez, Spanish, Caracas, Venezuela

1994- vanishing Memory. By Abdel Hernandez San Juan, published in Spanish at the catalogue of the exhibit Three Visions and One Reality of Mexican artist Luis Kertsh, six pages high quality colour illustrated, Individual attention Luis Kertsh, spanish, La Florida Art Gallery, Las Mercedes, Caracas, Venezuela

1994-to Make, to know, to apreciate: XX century posmodernism, conceptualism and abstractionism, series of lectures of one year one lecture a week by Abdel Hernández San Juan, printed designed programa, ateneístas foundation, coordinated by pilar Pérez, ateneo of caracas

1994-1995- Curatorial Practices and the Museum Collection. By Abdel Hernandez San Juan, Six month Series of Lectures discussing axiology’s and issues in art critique and postmodern anthropology, (stephen A Tyler, James clifford), Abdel Hernandez San Juan, Peran Hermini and Fina Weitz Museum director, spanish, The Petare Museum of Art, Caracas, Venezuela

92-94-The eye Paint, News paper pague directed and written weklee by Abdel Hernández San Juan, ecónomo today news paper, italean news paper, coordinated by maria dimase, Caracas, venezuela

Examples

1993- On How to be Ecologicals in art. By Abdel Hernandez San Juan, Published in Spanish on the exhibit water at the Economy Today newspaper, black and while high quality illustrated, individual attention: Maria di Mase, Caracas, Venezuela

1993- Contemporary Virgins. By Abdel Hernandez San Juan, Published on the Astrid Paredes Art Gallery exhibit of Venezuelan artists on the issue of the image of the Maria virgin at Economia Today newspaper, Individual Attention: Maria Di Mase, Caracas, Venezuela, 1993

1993- New Ways to the National Art. By Abdel Hernandez San Juan, Published in Spanish on the Dimple 15 Years Whisky Biennale of Carece de Alcantara Foundation in the Ateneo of Valencia Nella Ochoa black and white high quality illustrated at Economy Today News Paper, Individual Attention: Maria di Mase, Caracas, Venezuela, 1993

1993- The femenine in art. By Abdel Hernández San Juan, Economy Today News Paper, Individual Attention: Maria di Mase, Caracas, Venezuela, 1993

1993- exhibits as freeways. By Abdel Hernández San Juan, Economy Today News Paper, Individual Attention: Maria di Mase, Caracas, Venezuela, 1993

More lectures and publications

1992- Aesthetics in the XX Century. By Abdel Hernandez San Juan, Serie of three months’ lectures in aesthetic theory discussed at the Federico Brand Art Institute, Spanish, Individual Attention: Sol Bendayan, San Bernardino, Caracas, Venezuela, 1992

1992- The Self-Conscience of Art. By Abdel Hernandez San Juan, Serie of three months’ lectures discussed in Spanish at the Federico Brand Art Institute, Individual Attention Sol Bendayan, San Bernardino, Caracas, Venezuela, 1992

1992- Philosophizing Creativity. By Abdel Hernandez San Juan, Serie of discussed lectures in Spanish in philosophizing creativity, The University of Valencia, spanish, Individual Attention: Miriam Dibora, Fundacreatividad, Rectorado, Valencia, Venezuela, 1992

1992- Angel Sanchez. By Abdel Hernandez San Juan, Published in Spanish at the catalogue of the exhibit Sudaries of Angel Sanchez at Okyo Art Gallery, spanish, Individual Attention: Angel Sanchez, Las Mercedes, Caracas, Venezuela, 1992

1992- The clue as pentagramal architecture of cosmos. By Abdel Hernández San Juan, text catalogue of the exhibit landscapes of the soul, OKYO gallery, Las Mercedes, Caracas, Venezuela

Panels

1991-Arte y Arquitectura: Un Dialogo Posible, lectures by Abdel Hernández San Juan, Fruto Vivas, Juan Pedro Posani, Fran fannon and others, Fundación Consolidado, Caracas, Venezuela, 1991

1991-Teoría y Práctica de la Creación Artística, Instituto Universitario de Artes Plásticas Armando Reveron, conferencias por Abdel Hernández san juan, Plinio negrete, miguel posani, Manuel espinosa, entre otros, Caracas, Venezuela

1991-Arte, Conocimiento e Intuición, Instituto Universitario de Artes, Plásticas Armando Reveron, conferencias por Abdel Hernández san juan, Plinio negrete, miguel posani, Manuel espinosa, entre otros, Caracas, Venezuela

1994-The Curator as Creator. By Abdel Hernández San Juan, conferencia impartida en el primer encuentro nacional de curadores de arte, conferencias por Abdel Hernández San Juan, María luz Cárdenas, Rina Carvajal, entre otros, references published as Concluye Hoy Primer Encuentro Nacional de Curadores, Diario El Universal, Abdel Hernández hablo del nuevo arte de los intermediarios, En la jornada Abdel Hernández San Juan levanto la polémica con sus opiniones sobre la figura social del curador en el contexto del arte contemporáneo. La Dimensión Económica de la Contemporaneidad entró de lleno en las discusiones del segundo día del Primer Encuentro Nacional de curadores de arte con la intervención del joven teórico cubano Abdel Hernández San Juan sobre el nuevo arte de los intermediarios, 16 de Abril, transcribed from El Universal, Caracas

1995- El Multiculturalismo en la cultura Venezolana en el Proceso de Globalización, Abdel Hernández San Juan, Peran Hermini, fina Weits and others, Fundaayacucho, Ateneo de Caracas, Venezuela

1995-La Producción de Arte Venezolano en la Ciudad: Una Realidad Represada o Desatendida, Fundaayacucho, Abdel Hernández San Juan, Peran Hermini, finaweitz and others, Ateneo de Caracas, Venezuela

Museum theory

1994-1995- Curatorial Practices and The Museum Collection. By Abdel Hernandez San Juan, Six month Series of Lectures discussing axiology’s and issues in art critique and postmodern anthropology, Abdel Hernandez San Juan, Peran Hermini and Fina Weitz Museum director, spanish, The Petare Museum of Art, Caracas, Venezuela

1993- The Art of the Intermediaries. By Abdel Hernández San Juan, fue un curso de tres meses centrado en la curaduría que abarcó axiología de la curaduría y la intermediación del arte, formación del valor de la obra de arte, selección de obras y artistas, colección, restauración y museografía, sus referencias pueden leerse en el Diario El Siglo, Museo de Arte Contemporáneo Mario Abreu, spanish, Maracay, Venezuela

1993- New Ways to Art genealogies. By Abdel Hernández San Juan, fue un curso de tres meses centrado en los géneros de sala y las narrativas especializadas que abarco axiología de las narrativas de sala, formación del valor de la obra de arte, selección de obras y artistas, colección, restauración y museografía, sus referencias pueden leerse en el Diario El Siglo, Museo de Arte Contemporáneo Mario Abreu, spanish, Maracay, Venezuela

1998- The Museum and the People. By Abdel Hernandez San Juan, Series of Lectures discussed as complimentary research associate at rice university school of social sciences as a guest of The Jacobo Borges Art Museum on the issue of the museum and art Projects with Communities included Lectures Discussed by Abdel Hernandez San Juan and by George Marcus, and a dialogue between Abdel Hernandez San Juan, Jacobo Borges and Fernando calzadilla, spanish, tape recorded, Attention: Adriana Meneses and Jacobo Borges, Caracas, Venezuela

1994-project design bibliography and panel, abdel Hernández San Juan, James clifford, museum/mercado project, Curator and research Alejandro otero museum of visual art, caracas

1998-Diego rivera, panel, with lectures by abdel Hernández San Juan, Alison de líme green and terrell James, the museum of fine art of Houston

1992- clifford geertz, Stephen A Tyler, James cliffors, James clifford, gregory bateson, conferencias Hacer, Havana

1992- Luis Alberto hernandez. Por abdel Hernández San Juan, texto de catálogo de la exposición de Luis Alberto Hernández en el festival del caribe, artes del fuego, Santiago de cuba

1999-Art from cuba: the last xx years. By abdel Hernández San Juan, two lectures discussed at the Office of provost, latinoamerican studies faculty, lake forest college, illinois

Another essays and lectures

1995-Semiotica de la escenografía. Por Abdel Hernández San Juan, ensayo de semiotica escrito sobre las escenografías de Fernando calzadilla en el teatro el paraíso y otros, fundación sello, quinta fuente ovejuna, coordinado por elaisa Irizarry, caracas

1992- theorizing the formatión of values, an analysis of art in the sociológical perspective. By Abdel Hernandez San Juan, series of 3 Lectures Discussed at The dirección of culture, coordinated by Gladys pirela, director, Maraca

1992-1994- Workshops of semiotic theory Discussed at The Arturo michelena art Institute, The iuesapar, The Hilton hotel with ecónomy today News paper, and ecónomy today News paper, Caracas and valencia

1993- Lecture on experimental didacsis. By Abdel Hernandez San Juan, Discussed at the Federico brand Institute as part of artquimia foundation program for art,schools, sol Bendayan, caracas

More lectures and publications

Thinking throught. By abdel Hernández San Juan, three months theoretical seminar discussed at ISA as optional, university of the arts

Philosophical and art critic writings. By Abdel Hernandez San Juan, series of toree montés readings of essays as guest of reina maria, torre de letras

Recent papers/dossier critiques

The gaze resilience: a duple archaeology. By Abdel Hernandez San juan
An scriptural reading. By Abdel Hernandez San juan
Invisible transparencies: screen and imagery in earlier hernandez diez. By Abdel Hernandez San juan
Translating culture. By Abdel Hernandez San juan
Non siting the Site. By Abdel Hernandez San juan
The degreé zero of the screen. By Abdel Hernandez San juan
Cinema and gestures. By Abdel Hernandez San juan
A medlee way betwen narrative/non narrative. By Abdel Hernandez San juan
Join contemplatión. By Abdel Hernandez San juan
Simbolic barters. By Abdel Hernandez San juan
The tropes of spaces. By Abdel Hernandez San juan
Cultural dimensions. By Abdel Hernandez San juan
The sinegdotical impulse: The sitef discourses. By Abdel Hernandez San juan
Material biography. By Abdel Hernandez San juan
Another Foulds of the soul. By Abdel Hernandez San juan
The Museum upside down. By Abdel Hernandez San juan
Weaves. By Abdel Hernandez San juan
Indexing subjectivity. By Abdel Hernandez San juan
A triadic reading. By Abdel Hernandez San juan
A secound memory: reinscribing inscriptión. By Abdel Hernandez San juan

A new balance: The aperceptual objectivity of architectural photography. By Abdel Hernandez San juan

Education

1980- 1983- elementary teacher of visual art critique and práctice, elementary school of art 23 y c, havana
1983-1987- profesor of art theory, design and visual art, fine art Academy of San Alejandro, habana
1988-1992- BA and master in semiotic theory, caracas
1992-1994- phd in theoretical sociology, caracas

More lectures and publications

hermeneutic and axiology. By abdel Hernández San Juan, paper published at arte américa.cu

La inscripción y la couple. Por abdel Hernández San Juan, conferencia en el centro de cultura hispano-american, voyeaur, transcripción de diálogo poscoferencia, incluyo luego un panel conabdel Hernández San Juan, Magali espinoza Betty gaggo y otros other

The interstitials. By abdel Hernández San Juan, theoretical lecture at the arabian castle, project, coordinated by Milton raggy

The liminals. By abdel Hernández San Juan, theoretical lecture at the arabian castle, project, coordinated by Milton raggy

Theorizing media today. By abdel Hernández San Juan, lecture at the panel to understand the contemporary from mass medias, the Center of visual art and design ligth and oficio

Terrell james. By abdel Hernández San Juan, lecture discussed at ISA, university of the arts, optional workshop, 2004

Another polisemies: Phoebe and stephanie. By abdel Hernández San Juan, lecture discussed at ISA, university of the arts, optional workshop, 2004

Tutories of analisis amaya, aissa Santizo, Osvaldo González, rauniel González, ISA, university of the arts, 2004-2005

Texere. By abdel Hernández San Juan, essay of the analua Amaya catalogue, usa, university of the arts

Acrobats. By abdel Hernández San Juan, essay of aissa Santizo catalogues, ISA, university of the arts

Architects. By abdel Hernández San Juan, essay published at arte cubano magazine

Poetries of the artifacts. By abdel hernandez San Juan, essay published at cuban art magazine

The fund object. By abdel Hernández San Juan, essay of Tatiana mesa exhibit catalogues, house of poetry

Vestibles. By abdel Hernández San Juan, essay of the 30 aniversary exhibit catalogues of 23 y c

Comments to landscapes. By abdel Hernández San Juan, essay of the catalogues of the exhibit landscapes of analia Amaya and umberto planas, Havana gallery

Art, technology and environment, panel at ISA, with abdel Hernández San Juan, luig Gómez and Maida

Philosophy and aesthetics. By abdel Hernández San Juan, theoretical lecture discussed at the university of Santiago de Cuba

Semiótic of signs and símbols. By abdel Hernández San Juan, theoretical lecture discussed at the faculty of art and literature, coordinated by luz merino, university of havana

Art as concept, terms and definition. By abdel Hernández San Juan, theoretical lecture discussed at the faculty of art and literature Main auditorium, lecturers abdel Hernández San Juan and desiderio navarro, the university of havana

Semiótic of the object. By abdel Hernández San Juan, theoretical lecture discussed at fototeca, old havana

Posmodernism. By abdel Hernández San Juan, theoretical lecture discussed at the great theater of havana, havana

The visual essay. By abdel Hernández San Juan, theoretical lecture discussed at uneac, havana

On the concepts of art in Cuba. By abdel Hernández San Juan, lectured at uneac, havana

Culture as technique of operations. By abdel Hernández San juan, lectured at the museum of fine art, havana

An eschimo who knows dialectiques. By abdel Hernández San Juan, essay of the catalogues of ciro Quintana exhibit making art in a cuban manner, Center of plástic art and design, light and oficio, havana

Catalogue to an exhibition. By abdel Hernández San Juan, essay of the catalogues of Lázaro Reinaldo exhibit travel to the seed, havana

Magia or posarte. By abdel Hernández San Juan, essay of the catalogues of the exhibit an incomplete man of Rubén torres Llorca, Havana gallery

Adentrarnos en una nueva etica. Por abdel Hernández San Juan, texto leído en el primer encuentro de creadores, palacio de las convenciones, ahs, havana

Hernandez San Juan Abdel, 1998- Bodies Echoes. By Abdel Hernandez San Juan, published catalogue, Sicardi Sanders Gallery, english, translated by Lourdes, Houston, Texas, USA

Hernandez San Juan Abdel, 1998- Anglo-Saxon conceptualism. By Abdel Hernandez San Juan, lecture discussed at the glassel Schóol of art, cátedra of paintings, coordinated by terrell James, english by Abdel Hernandez San Juan, The Museum of fine art of Houston, Houston, Texas, usa

Hernandez San Juan Abdel, 1999- Bodies Maps. By Abdel Hernandez San Juan, published catalogue, english, translated by Lourdes, Sicardi Sanders Gallery, Houston, Texas, USA

Hernandez San Juan Abdel, 2000- Alchemies of the Senses. By Abdel Hernandez San Juan, english, translated by Lourdes, Sicardi Sanders Gallery, Houston, Texas, USA

Hernandez San Juan Abdel, 2002- The paintings of terrell James. By Abdel Hernandez San Juan, translated by surpik Angelini, Houston, Texas

Hernandez San Juan Abdel, 2002- Relations and Differences between the Arts: A Matter of the History of Conscience. By Abdel Hernandez San Juan, lecture discussed at the panel of Los Angeles Art Festival, The Japanize House of Culture, lectures by Abdel Hernandez San Juan, surpik angelini, villegas, and others, spanish, Dic, Los Angeles, California, USA

Abdel Hernandez San Juan, The Posmodern Work, Paper, Transart Foundation of Houston Collection, Translated by Gabriel, Houston, Texas, USA, 1995

Hernandez San Juan Abdel and Surpik Angelini, tape recorded readings and dialogues, caracas- Houston, Texas, 1995-1996

Mc evilley Thomas, artists in trance: various artists, art in américa, new york, 1998

Mc evilley thomas, lecture to the film on the exhibits on campus, march, rice media center, a film by Brian huberman, and an audio text transcription by Surpik angelini and abdel Hernández San Juan, rice university, houston, Texas, usa, march, 1997

Strauss Levis, los museos de antropologia, en lugar de la antropologia en las ciencias sociales, antropologia estructural, Paidós, barcelona

Strauss Levis claude, la estructura de los mitos, en lugar de la antropologia en las ciencias sociales, antropologia estructural, Paidós, barcelona

Todorov Tzvetan, Symbolism and Interpretation, Cornell University Press, Feb 18, 1986

Todorov Tzvetan , Genres in Discourse, Cambridge University Press, Published August 31st 1990 by (first published 1978) 

Todorov Tzvetan, Simbolismo e interpretación Todorov, monte avila editores

Todorov Tzvetan. "Los géneros del discurso" (Waldhuter editores, 2012) 

Todorov Tzvetan. Teorías del símbolo, monteavila editores

Todorov.Tzvetan Géneros del Discurso, Gedisa

Todorov Tzvetan. Critica de la Crítica, Editorial Paidós

Tyler Stephen A, context of discourse, semantique analysis, A POINT OF ORDER, Pp 133-135, Rice University studies, 1973-1974, USA